Kanye West has released a new music video for “OK,” his collaboration with Don Toliver, and the visual is already creating conversation because of its dark style and Bianca Censori’s role behind the camera.
The song appears on the deluxe version of Kanye’s latest album, Bully. According to Complex, “OK” is one of two new tracks added to the deluxe edition, which was released in June. The video was directed and creatively developed by Bianca Censori, marking another step in her growing role as a visual director within Kanye’s recent creative world.
The “OK” video takes place entirely inside an operating room and leans into a surreal, horror-inspired look. The visual opens with Kanye lying on an operating table while doctors appear to perform a disturbing procedure on him. His head is detached from his body, creating one of the video’s most shocking images.
As the scene continues, doctors remove objects from Kanye’s body while Don Toliver watches from inside the room. When Toliver’s part begins, he appears from a locker and moves closer to the operating table as the strange surgery continues. The video eventually shows Toliver reattaching Kanye’s head to his body, bringing him back to life in the middle of the procedure.
The visual then shifts into even stranger imagery. Kanye sits up on the operating table and sharpens a sword while the shadow of a duel appears nearby. After the fight ends, both Toliver and Kanye stare directly into the camera, adding to the video’s eerie and uncomfortable tone.
A press release described Censori’s approach as an “absurdist sequential narrative” that uses objects and setting to reveal hidden meanings. That description fits the video’s unsettling energy, as the operating room, detached body parts, sword imagery, and frozen stares all seem designed to feel symbolic rather than straightforward.
HotNewHipHop also noted that the video has an uncanny quality, with certain facial features and visual elements that some viewers may think look AI-generated. However, there has been no confirmation that artificial intelligence was used in the production.
This is not the first time Censori has directed visuals connected to Kanye’s Bully era. Complex reports that “OK” marks her fourth directorial release for him, following “Father,” “King,” and “Gemini Season.” With each release, Censori has continued to establish herself as a creative force in Kanye’s current visual direction.
Before the video dropped, Kanye teased the release by sharing a photo of himself and Don Toliver on set with the caption “TODAY.” The post built anticipation for the visual and signaled that the Bully rollout was still active.
The release also arrives as Kanye continues trying to keep attention on Bully. The album has sparked mixed reactions among listeners, with some fans still supporting his creative output while others remain critical of his recent controversies and the conversations surrounding his music.
For Don Toliver, the video adds another high-profile collaboration to his catalog. His presence gives “OK” a different energy, and his role in the visual makes him more than just a featured artist. In the story of the video, he becomes the person who helps revive Kanye, making his appearance central to the concept.
Overall, “OK” continues Kanye’s recent run of strange, provocative visuals while giving Bianca Censori another major directing credit. Whether fans see it as bold, disturbing, symbolic, or confusing, the video is clearly built to get people talking.